Course Details

Syllabus

David Morgen

Contact: david.morgen@emory.edu

Office location: Callaway N205A

Office Hours: Tuesdays 11:30-12:30p, or sign up for another time.

ENGRD101.10

T/TH 10:00 – 11:15am

Callaway N203

First Year Writing Course

This course, like all courses in the Emory Writing Program, is designed to:

• Heighten students’ capacities to consider, describe, research, compose, argue, analyze, persuade, and design in a range of modes, genres, and disciplines.
• Encourage students to reflect on and refine strategies for writing and communication as a process and to develop awareness of the complex ethical demands of communication, including demands pertinent to various audiences, linguistic communities, and discursive frameworks.
• Empower writers—across a plurality of gender identities, sexual orientations, abilities, and disabilities, as well as racial, ethnic, cultural, socioeconomic, religious, national, and international backgrounds, linguistic backgrounds, and veteran statuses—to grow and share their unique voices while respectfully engaging with their diverse classroom and university communities.

Course Description

This is not really a course about comics but a writing course where we will explore the medium of comics as a method of working towards the goals listed above and achieving the course learning outcomes. Comics is a fantastic medium for us to make use of in this writing course because it is inherently hybrid and multimodal and because comics always calls into questions exactly how we ought to read it. For a reader navigating the space of the page, reading comics can feel less directive and linear than reading most prose narrative, so we will frequently ask ourselves questions about the relationships between words and images, wonder about how our eyes are directed across the page, and analyze the complex communications strategies that it employs. In comics the combination of words and images, and how this narrative exists laid out in space on the page, requires an active and involved literacy, with a high engagement of reading and looking for meaning. 

We will read and discuss a number of powerful contemporary comics – including graphic memoir and other nonfiction comics, fiction, and other genres in the comics medium. You will write with both words and images as a method of further developing your critical thinking and communication skills. You will write to explore concepts like genre, rhetoric, academic discourse, and critical thinking, while further developing and honing your own methods and styles of writing. There are weekly “low-stakes” sketch assignments to encourage your exploration of different methods and techniques, along with some larger analytical writing assignments. These course assignments include a variety of formal and informal genres, all of them incorporating multiple modes of communication (Written, Oral & aural, Visual, Electronic, and Nonverbal). You will write and design a narrative comic of your own as well as create visual analyses over the course of the semester. No particular preexisting drawing talent or expertise is required for successful completion of this course.

If you want to think more clearly about an idea, draw it. If you want to be a more effective leader, think about how you might draw your vision so that other people see it as clearly as you do. If you want to innovate, think about how drawing might help you look at usual things in unusual ways.... The conversation today is visual. Draw like the world depends on it.

-- Dan Roam, Draw to Win

Image Credit

Kobabe, Maia. "Growing Up Gender Queer."

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