Creating
my comic presented many challenges as well as new learning experiences. Unlike my literacy narrative, which had a lot of imagery in the writing, my comic was able to be much shorter because I could use visual context. The drawings in the comic helped convey meaning without needing as many words. Once the visual components were added, I had to think about how to incorporate words into the comic. I started off by adding narration to the top of some panels, and within the images, I added speech bubbles for the characters’ interactions. I realized that the dialogue in the speech bubbles needed to be more casual and couldn’t use the exact wording from my literacy narrative. Although this process wasn’t difficult, it took time and thought. I had to consider what would happen in the next panel when deciding what to include in the current one. Throughout the process of making my comic, I had to add and change aspects that were either originally part of or completely new to the story from my literacy narrative. Specifically, at the end of the comic, I added more about what it was like to go to a specialized middle school for dyslexia and where I am today. As a result, I took out some parts about seeing the school specialist in second grade during social studies. The hardest part of this comic for me was creating the characters. Since there were so many panels, I couldn’t make the characters too detailed because it would take too much time. Therefore, I made my characters somewhat stick figure like, mainly focusing on their faces and hair to show who they were. The way I formatted my panels was somewhat strategic. I started by placing them right next to each other with no gutter space, but then I realized that’s not how comics usually look. So, I took screenshots of each panel and reorganized them on a new page in a way that made more sense visually. Throughout this process, I took some inspiration from
Spinning and
Stitches specifically with the Winter and Fall panels in my comic. I needed to show a change in time without actually writing it out or having my characters say it. If I were a better artist or had someone illustrating for me I think I could have shown the seasonal changes more clearly through the imagery. One part of my comic where I had a clear sense of what I was trying to accomplish was setting the scene. More specifically, the panels where I illustrated the different schools I attended. I thought this was a good way to show the setting rather than explicitly saying where I was. For each school, I made sure to include the name so the reader could clearly understand which part of my life I was representing. Overall, this process was fun, and I enjoyed turning my writing into images.